Joseph Losey’s opening sequence makes the audience feel complicit in Van Heflin’s crimes in THE PROWLER (1950).
What’s it all about, Lucy?
It's all about going to the movies!
I will attend at least one film in a cinema per day for the foreseeable future—partly to feed my cinephilia, partly to celebrate the communal experience of cinema-going. This blog is where I'll document my folly with screen shots and a dash of commentary.
UPDATE: as you can see, life intervened and I haven't been posting regularly of late. But expect an occasional new post until I get back in the red velvet saddle.
Coming soon to Lucible
Archives
- June 2010 (1)
- September 2009 (14)
- August 2009 (23)
favorite cinemas
kindred spirits
- Bright Lights After Dark
- Cinebeats
- Cinema Treasures
- Dave Kehr
- David Bordwell
- Evening Class, The
- Film on Film Foundation
- filmjourney
- Fin de cinema
- Guardian UK
- Hell on Frisco Bay
- Landscape Suicide
- Like Anna Karina's Sweater
- Midnites for Maniacs
- Projectionist, The
- Roger Ebert's Journal
- Senses of Cinema
- Text of Light
- Thanks for the Use of the Hall
- Vinyl Is Heavy
tags
20th Century Fox
Albany Twin
Ann Todd
Anthony Mann
Bad Print
Barbara Stanwyck
Bette Davis
BFI
California Theatre
Castro Theatre
Charlotte Rampling
Cinecitta
Claire Trevor
Claude Rains
Corinth Films
Dardenne Brothers
David Lean
Dorothy McGuire
Gena Rowlands
John Boorman
John Cassavetes
John Cromwell
Joseph Gordon-Levitt
Kathryn Bigelow
Michael J. Pollard
Midnites for Maniacs
Mitchell Leisen
Neill Blomkamp
Pacific Film Archive
Peter Falk
Peter Jackson
Pier Paolo Pasolini
Raymond Burr
RKO
Sean Connery
Shattuck Cinemas
Stan Dragoti
Steve Coogan
Trevor Howard
UA Theater Berkeley
UCLA
Vittorio de Sica
Warner Bros
William Klein
Zooey Deschanel
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